L’article relaté ne parle que de l’observation des zones d’image au-delà de DCI-P3 affichées par un TV.
"Jeff Yurek of Nanosys also then looked at the content, using a Vizio TV** that uses his firm's quantum dots to achieve around 86% or 87% of Rec 2020 to see if the difference between P3 and the wider gamut of the set made a visible difference. Some differences were subtle, he told us, but some, such as the jungle scenes in 'Planet Earth', the differences were 'very obvious'."Maintenant, allons au-delà de l’article relaté, et comparons les volumes de couleurs d’un TV Hisense 65SX et d’un écran de salle de cinéma traditionnelle.
post180391295.html#p180391295https://hisense.com.au/product/65-dual-cell-series-sx/https://hisense.com.au/wp-content/uploa ... ations.pdfVolume de couleurs Hisense 65SX : 100% DCI-P3 à 12 bits + 500 nits
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Volume de couleurs salle de cinéma DCI-P3 ou "cinéma SDR" : 100% DCI-P3 à 12 bits + 48 nits
C’est ainsi que la DCI est en train de spécifier la norme Cinéma HDR.
https://www.dcimovies.com/